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RESUME
Senior Non Linear Video Editor / Designer / Director / Producer
EXPERIENCE
Lead Editor, CONAN: TBS — August 2010 > Present
Designed the Post Facility, Workflow, System Integration with Project Manager David Crivelli along with Key Code Media & Grass Valley
Coordinated all the needs of Editorial, Graphics, Clip Research and how Post interfaced with Production
Responsible for daily, quick turnaround of remote tape pieces and show edit for delivery and network broadcast
Lead a team of 3 total Editors and 1 Assistant Editor
Responsible for Color Correction, Stereo Audio Mixing, Motion Tracking, Graphic Compositing (16x9, 4:3)
Design, Implementation and Media Management
• Active & Archive media using LTO 5Consulted technically and creatively on Chroma Key,
Remote & Studio Pre Tapes with Director and AD’sVideo Editor / Designer, CONAN: TBS — August 2010
Part of the design team for branding CONAN on TBS and teamcoco.com
Lead Editor, The Tonight Show with Conan O’Brien: NBC Universal — April 2009 > January 2010
Responsible for daily, quick turnaround of edited show
and delivery for network broadcast via file, baseband feed
and NBC.com file deliveryConsulted technically and creatively on Chroma Key, Remote and Studio Pre Tapes with Director and AD’s
Lead a team of 3 total Editors and 1 Assistant Editor
Coordinated workflow among Graphics, Editorial, Audio and Engineering
Responsible for Color Correction, 5.1 Audio Mixing, Motion Tracking, Graphic Compositing (16x9, 4:3)
Editorial software workflow design and implementation and Media Management Design (active & archive media)
Final Cut Pro Studio 2, Final Cut Server, Qmaster Clusters, Compressor, DVD Studio Pro, After Effects CS4, MOCHA, MOCHA Shape for AE CS4
Ingest of P2 Cards, HD and SD tape formats, editing media shot in DVC Pro HD 1080 30p, 1080i 29.97 and 1080 24p
Lead Editor, Saturday Night Live: NBC Universal — October 2005 > April 2009
Commercial parodies, Show Opens, Bumpers, Digital Shorts and Show fixes for west coast broadcast
Avid DS Nitris, Final Cut Pro Studio 2 and Adobe After Effects CS4
Editor, Late Night with Conan O’Brien: NBC Universal — June 2005 > March 2009
Show composite and segment editing on Avid DS Nitris, Media Composer HD
Editor, TODAY Show: NBC Universal — May 2004 > April 2009
Lead the show through HD editing transition
Featurettes, Show and News Segments
Lead Editor, TODAY Show Summer Olympics: NBC Universal — August 2008
On location Editing and Media Management Beijing, China
Athlete featurettes, profiles and daily news stories on Avid Symphony Nitris
Lead Editor, King: History and NBC Peacock Productions — March 2008
Show Open and Act 1 for 2 hour documentary for cable broadcast
Designed the treatments for archival footage and stills in the special
Lead Editor Macy’s Thanksgiving Day Parade: NBC Universal — November 2005, 2006, 2007
Show segments and composite reels on Avid DS Nitris
Editor Winter Olympics: NBC Universal TODAY Show — February 2006
On location Editing Torino, Italy
Athlete featurettes and profiles for TODAY and news segments for Nightly News
Freelance Video Editor New York, NY — 1996 > 2003
Broadway Video: SNL Digital Shorts, Bravo Profiles - Nathan Lane, Ad Agency videos, TV Pilots
Sony Music Studios: MTV Jammed – Nelly
Multi-camera performance videos and composited show for MTV 2
NBC Agency: On Air Promos for NBC Sports , TODAY, Dateline and Nightly News
NBC Post Production: Show Segments and Opens for Last Call with Carson Daly and Dateline
Rocket, Monkey, Dome Productions, NYC — Music Video Production and Post
Toilet Boys – “Another Day In The Life” & “The Future is Now”
Shot and Edited both music videos for television broadcast
“Another Day In The Life” made it to number 18 on the MTV Rock Music Countdown
Film Editing
Starsucker: July 2010
Editor, Main Title Design, Colorist, Visual Effects Artist
Edited in Final Cut Pro 7.0.3
After Effects CS 5 and Mocha used for Main Title Design and Visual Effects
SqueezeBox! The Movie: Pierce, Monkey, Dome Productions, NYC — May 2008
Post Production Coordinator, Additional Graphics, Additional Editing and Audio Mixer
*Winner “Best Documentary” at the Philadelphia Film Festival
*Premiered at Tribeca Film Festival
TECHNICAL EXPERTISE
- Final Cut Pro Studio 2, AJA Kona 3, SAN Solutions Media Server and Apple QMaster
- Avid DS, Symphony Nitris, Media Composer HD and Newscutter
- Sapphire Plug-ins, Boris Continuum 6, Nattress Effects
- Adobe Photoshop , After Effects, Soundbooth version CS4
- Imagineer’s MOCHA and MOCHA Shape for After Effects CS4 and Final Cut Pro
- Quick Time Pro 7.6: CODEC conversions and transcodes, Audio Metadata Modification
- Tektronix WFM 7020 and Dolby Broadcast Loudness Meter LM 100
- Sony SRW-5500, 5000 & HDW M-2000 HD Cam machines
- Sony DVR-10, DVR-18 D2, MSW-M2000 IMX & DVW-A500 Digital Betacam machines
- Sony BVW-75, BVW D-75 & PCM 7030 DAT machines
AWARDS
2011 Telly Awards
Silver Award: Use of Graphics, Editor
Silver Award: Art Direction, Editor
Bronze Award: Use of Humor, Editor
2006 Emmy Award NominationBest Feature in a regularly scheduled news program: NBC Universal TODAY - “The Last Goodbye”
NBC Universal Ovation Award
Lead Editor for Saturday Night Live - “Had never observed an SNL Edit session. Reworked SNL Open
Montage to fit the needs of the show in a very short amount of time. Dedicated with his time, stopped to
help others when needed.”
AFFILIATIONS
IATSE Local 700
NABET Local 11 in NYC, NY Non-Active Member
References furnished upon request
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